G-WORLDWIDE HAS PAID KISS DANIEL OVER NGN 120 MILLION NAIRA & SINGER ACCUSED HIS FAMILY MEMBERS OF BEING FETISH.
There has been a lot of misinformation in the media as to the background of Kiss Daniel’s wrongful exit from G-Worldwide Entertainment. The management of G-Worldwide Entertainment wishes to state it had never been its intention to seek legal redress, nor join issues with an artiste who we fear is being given bad legal advice. However we feel it is important that we set the records straight for the benefit of the general public and others who are interested in knowing the truth.
Firstly, we would like to reiterate that our organization’s sole mission is to scout, develop and promote artistes till the point where both partners become profitable and the artiste can then decide to continue their creative journey as they deem fit. Contrary to widespread insinuations (and though we love a good joke) we are not a slave camp and we have no time whatsoever held any of the talents on our roster against their will.
The issue of restrictions on collaboration by our artistes is one which has been well flogged and one we will address immediately. Our management policy is unique in that we look for innovative ways to position our artistes to build and own their own sounds and brands before seeking to enter collaborations with artistes from other labels. To this end, we have trained and developed our artistes in a way that ensures that their first albums are well composed and delivered in way that gives them the platform to sell their art as strong individual brands. This strategy is not without its results as is evidenced from Kiss Daniel’s debut album “New Era” receiving much positive reviews and landing the 8th place on the Billboard’s World Album Chart within a week of release. The Nigerian music industry is very competitive, and as such it is pertinent that players in the market develop unique strategies to break in and remain relevant.
The New Era album of Kiss Daniel therefore only contained collaborative efforts with his label mate Sugarboy. However, on the soon to be released album ‘Evolution’ by Kiss Daniel, we have worked with other talents such as Phyno and Olamide. Sugarboy has also collaborated with Y-Cee on a song due to be released in January 2018.
There have also been issues raised that the company has not made available its books of accounts to Kiss Daniel, leading to him filing an action at the Lagos State High Court seeking an order granting him access to the books of the company. Whilst our lawyers have filed the necessary papers to strike out the suit, it is pertinent that we briefly note that at no time have we denied the artiste or his lawyers access to our books. With the facts we have, we believe that the suit was a ploy to misdirect the public away from his untimely and unlawful exit from the company.The label has records of email correspondence with Kiss Daniel where he and his representatives at different times requested for books of the company and same were supplied to them. All these have been placed before the court in response to the suit filed by the artiste at the Lagos State High Court. Until now they are yet to respond to papers filed challenging the competence of that suit. Sadly too, even though Kiss complained about access, in another breath he has admitted the audits held between his accountants and the label’s accountant.
Apart from the above, there have been rumors that Kiss Daniel was on a monthly stipend of (NGN 50,000). Everyone knows that such amount of money cannot get a decent apartment to live in Lagos. Kiss Daniel, contrary to that rumor, has received substantial allowances over the last two and half years. Kiss Daniel was offered a 360 deal in 2013, and the terms of his initial contract has been reviewed twice in his favor, whilst the company has had to bankroll obligations relating to advertisements, promotions, music production, videos, trips, wardrobe at different times, etc. Indeed, the company has been quite flexible with our remuneration policies with the belief that he will be able to build a solid financial base for himself. For the avoidance of doubt the following are some details of how the label catered for his financial needs as well as his personal welfare:
Last year, many people wondered how we managed to pull off such a massive concert for his New Era album launch with no support from any organization. That event which included the lease of the prestigious Eko Hotels with over 20 superstars was one of the most expensive projects the company ever embarked upon.
Nevertheless, we understand that artistes grow with their songs and popularity, and may eventually seek an early exit. That being said, a contract between two parties is a legally binding arrangement and both parties having deployed resources to perform obligations thereunder, the contract has to be executed in line with its terms and conditions.
G-Worldwide’s contract with Kiss Daniel simply put, allows for the artiste to exit, but in so doing, he is duty bound to repay to the company all monies expended by the company in furtherance of the contract and all losses including losses suffered from cancellation of fixed events and shows by reason of the termination. The contract is also expressly clear on the fact that intellectual property rights to all the songs produced under the contract including the stage name of the artiste are properties of the company. We know that so far, Kiss Daniel has kept these facts away from the public; choosing to resort to cheap blackmail and whipping up emotions. We will not take this route as a responsible company and this is why we are in court.
We have done our best not to harp on the history of his recalcitrance. Nevertheless, we keep being harassed by different lawyers (his present lawyer is the fourth) with outrageous demands, but we have retained the opinion that some terms cannot be imposed on us. Most recently in October, he had demanded, going forward, a 100% of revenues from his performances and endorsements even while he understands his level of indebtedness to us and the terms of the contracts. When he was referred to the contract terms, his response was to serve us a termination notice without even following the stipulations for termination under the contract. He thereafter announced his personal record label in less than nine (9) days after the undue notice and has since been soliciting bookings and infringing on G-Worldwide intellectual property rights by performing songs from the ‘New Era’ album and the yet to be released ‘Evolution’ album. This is the reason for the restraining order of status quo issued by the Federal High Court on the 30th November 2017.
Law abiding organizations and business concerns have either contacted us for clarity, which we have provided through our solicitors, Calmhill Partners. Other well advised entities have in support of the rule of law and sanctity of contracts, terminated their engagement with him or removed him from performance schedules. The Nigerian musical industry we believe will learn and grow from this incidence.
We have put everyone who wishes to contract Kiss Daniel on notice and advise that you should not allow yourselves be misinformed about the subject matter or be swayed by his misrepresentations or lack of capacity to perform some of the songs that he has been contracted to perform. Whilst we look forward to a speedy dispensation of justice in the matter before the Court, we reiterate our advice that event organizers should consult their lawyers to avoid being complicit in the offence of acting in contempt of court.
It remains illegal to deal with Kiss Daniel directly instead of G-Worldwide Management pending the hearing of the suit in Court.
All inquiries about Kiss Daniel should be directed to: firstname.lastname@example.org or call Louiza Williams on +234 817 540 3350.
For: G-Worldwide Entertainment